The Heart Is A Lonely Hunter
/ Fashion Photography
Faces of Cairo: Smashing Young Lad
/ Portrait Photography
A delightful young Egyptian man seen here, is holding a manufactured burger from KFC, and a local handmade bread.
The Heart Is A Lonely Hunter
/ Fashion Photography
Je Suis Une Fille
/ Fashion Photography
Friends In The Wild
/ Fashion Photography
The Editor’s Market is a multi-label concept store nestled in the heart of Singapore’s shopping district, Orchard Road. It carries an array of fashion options that mirror the latest high street trends that are tailored to suit the local fashion palate.
The campaign direction follows through the theme of friendship, fashion and fun. Inspiring people to imagine and dream with its setting in a surreal and ethereal mood.
兔子
/ Commercial Photography
For 兔子 /TUZI debut single【喂!】
一个晴朗, 悠闲的下午
一个拥挤的巴士
一个偶然的机会
一场万众注目的比赛
一份天赐的奇迹
三个迥然不同的女生
一个共同的目的地
两年的等待
一片草原
三个兔子.
Love Is The Tender Trap
/ Wedding Photography
‘You see a pair of laughing eyes. And suddenly your sighing sighs. You’re thinking nothing’s wrong. You string along, boy, then snap! Those eyes, those sighs, they’re part of the tender trap.’ - Frank Sinatra
Faces of Cairo: Smashing Young Lad
/ Portrait Photography
A delightful young Egyptian man seen here, is holding a manufactured burger from KFC, and a local handmade bread.
Faces of Cairo: The Shisha Man
/ Portrait Photography
I was roaming around the Khan-El-Khalili market on a Sunday, and found this man smoking Shisha. I could sense a potential of a photograph, so I took the opportunity.
Before this shot was taken, we exchanged a few words with the fixer’s help. Although there were times I tried to talk to him directly, he could not understand me. He shoved a bracelet in my hands and mumbled, “Allah, God”.
After the shot was taken, he took it back with a smile, and continued to smoke his Shisha.
How I See The World
/ Experimental Photography
When I was young, I used to lay on the bed, put my head out to the edge of the bed and
look at the world upside down. I imagined myself walked across every room on the
ceilings, peruse the world next door from upwards rather than downwards.
Looking from the ceiling of the bedroom, the bed comes at you from a different angle, so does all the furniture in the room but you can still identify them.
Now what if we turn the whole world upside down? Manipulating things into things that we have never seen before? We get a new world. So is it still real? What sets the reality and the unreal apart?
Looking at the world from different perspectives and angles to a photographer can show a lot of things that one have never seen before and because we never did seen them quite that way before, they become magic. This is why I believe we should not only be inclined to only believe things we could see.
